Oh My (Chinese) Darlin'!

A couple of weeks back I was watching a Chinese film, Quitting (Zuotian - 昨天 - trailer here), a really great semi-documentary about a young actor coming out of drug addection in 1990s Beijing. There's one scene where all the young cool folks are hanging out together, celebrating the protagonist's birthday, and they start singing a song to the tune of the old American gold-miner's lament, "Oh My Darling, Clementine".

I rewound the movie so I could type out the subtitles:

wish you longevity
as long as a pine tree of the Southern Mountain
may you have good fortune
as much as the endless water in the Eastern Ocean

I emailed a bunch of Chinese-American friends to find out if they knew anything about this version of "Clementine" —and whether it was a specific "birthday song" used, perhaps, in place of the ubiquitous, but technically still copyright-protected "Happy Birthday To You"? But nobody'd heard aything about it.

Interestingly—getting back to copyright—The Beatles' music plays a significant role in the plot of Quitting, but makes no appearence on the soundtrack—it's all Chinese rock (which works quite well—even in the scenes where you're watching the main charactar listening to a Beatles album on his headphones ... actually, the whole film is accessible but also again and again visually, sonically, and conceptually arresting).

In any case, I wonder when the "Clementine" melody made it back to China ... obviously Chinese immigrants were an important of Gold Rush (and post-Gold Rush) California ... perhaps it made it back soon after it was written (in the 1880s, but based, perhaps on a song from the 1860s). Most likely it arrived much more recently. But I like the idea of a former Chinese "Miner '49er" making his way back to China in his old age (long as the pine on the Southern Mountain), bringing the song from Gold Mountain.

Various Positions

A few weeks ago my father surprised me with a garage-sale gift: an old Oscar Schmidt Autoharp. Since then I've sporadically been figuring out how to play it ... the basics of which are more involved than I'd supposed. First, there's the matter of deciding how you want to hold and strum it. Here are some examples, with my own made-up titles for 'em:

A) The Mirror. I discovered this video during a fruitless attempt to find a recording of Jimmy Carter reading some of his poetry. The consolation prize, as you'll doubless agree, was more than worth it. Note the left-handed strumming, which is easiest given a tabletop-layout, but feels just wrong since I already play cello and guitar in the standard poses.

B) The Bridge-Strummer. Difficult on my particular harp, which has the maximum amount of buttons/keys, narrowing the target era quite a bit. Still, can't argue with June Carter Cash:

C) The Crossover. Just plain awkward:

D) The Upright Reverse Half-Piano Hug. This is the one I've settled on. Earl Scruggs and Mother Maybelle Cash.